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Guidelines for Evaluating Creative Output

22/05/2022    admin   Truyền thông Tích hợp
Advertisers use numerous criteria to evaluate the creative approach suggested by the ad agency. In some instances, the client may want to have the rough layout storyboard or animatic pretested to get quantitative information to assist in the evaluation. However, the evaluation process is usually more subjective; the advertising or brand manager relies on qualitative considerations.

Basic criteria for evaluating creative approaches:

Is the creative approach consistent with the brand’s marketing and advertising objectives?

One of the most important factors the client must consider is whether the creative appeal and execution style recommended by the agency are consistent with the marketing strategy for the brand and the role advertising and promotion have been assigned in the overall marketing program. This means the creative approach must be compatible with the image of the brand and the way it is positioned in the marketplace and should contribute to the marketing and advertising objectives.

• Is the creative approach consistent with the creative strategy and objectives?

Does it communicate what it is supposed to? The advertising appeal and execution must meet the communications objectives laid out in the copy platform, and the ad must say what the advertising strategy calls for it to say. Creative specialists can lose sight of what the advertising message is supposed to be and come up with an approach that fails to execute the advertising strategy. Individuals responsible for approving the ad should ask the creative specialists to explain how the appeal or execution style adheres to the creative strategy and helps meet communications objectives.

• Is the creative approach appropriate for the target audience?

Generally, much time has been spent defining, locating, and attempting to understand the target audience for the advertiser’s product or service. Careful consideration should be given to whether the ad appeal or execution recommended will appeal to, be understood by, and communicate effectively with the target audience. This involves studying all elements of the ad and how the audience will respond to them. Advertisers do not want to approve advertising that they believe will receive a negative reaction from the target audience.

• Does the creative approach communicate a clear and convincing message to the customer?

Most ads are supposed to communicate a message that will help sell the brand. Many ads fail to communicate a clear and convincing message that motivates consumers to use a brand. While creativity is important in advertising, it is also important that the advertising communicate information attributes, features and benefits, and/or images that give consumers a reason to buy the brand.

• Does the creative execution keep from overwhelming the message?

A common criticism of advertising, and TV commercials in particular, is that so much emphasis is placed on creative execution that the advertiser’s message gets overshadowed. Many creative, entertaining commercials have failed to register the brand name and/or selling points effectively.

• Is the creative approach appropriate for the media environment in which it is likely to be seen?

Each media vehicle has its own specific climate that results from the nature of its editorial content, the type of reader or viewer it attracts, and the nature of the ads it contains. Consideration should be given to how well the ad fits into the media environment in which it will be shown.

• Is the ad truthful and tasteful?

Marketers also have to consider whether an ad is truthful, as well as whether it might offend consumers. The ultimate responsibility for determining whether an ad deceives or offends the target audience lies with the client. It is the job of the advertising or brand manager to evaluate the approach suggested by the creative specialists against company standards. The firm’s legal department may be asked to review the ad to determine whether the creative appeal, message content, or execution could cause any problems for the company. It is much better to catch any potential legal problems before the ad is shown to the public.

The chief marketing officer, brand manager, advertising manager, and/or other personnel on the client side can use these basic guidelines in reviewing, evaluating, and approving the ideas offered by the creative specialists. There may be other factors specific to the firm’s advertising and marketing situation. Also, there may be situations where it is acceptable to deviate from the standards the firm usually uses in judging creative output.

Source: Advertising and Promotion: An Integrated Marketing Communications Perspective, 9th Edition, by
 George E. Belch   (Author), Michael A. Belch  (Author)


16 cân nhắc quan trọng để xây dựng thương hiệu trong cuộc khủng hoảng.
16 cân nhắc quan trọng để xây dựng thương hiệu trong cuộc khủng hoảng.
Một cuộc khủng hoảng có thể là con dao hai lưỡi đối với các nhà tiếp thị. Một mặt, nó cung cấp một nguồn nguyên liệu vô tận cho các chiến dịch và buộc họ phải đổi mới khi tiếp cận người tiêu dùng. Mặt khác, nó có thể yêu cầu công ty thay đổi cách tiếp cận để xây dựng thương hiệu gần như toàn bộ.
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Theo công ty nghiên cứu thị trường Millward Brown, người tiêu dùng Việt Nam có khuynh hướng yêu thích các quảng cáo liên quan đến cảm xúc. Nói như vậy không có nghĩa rằng các thương hiệu lựa chọn những câu chuyện tươi vui ngày Tết không thành công, thực tế cũng đã chứng minh điều ngược lại – Khi các thương hiệu thấu hiểu sâu sắc người tiêu dùng và mạnh dạn đi theo lối riêng, phép màu đã xảy ra .